amongthewreck: (now let's be adults about this.)
So.

Disney World.

In spite of the heat, and in spite of the lines, and in spite of the screaming children that seemed to be everyfuckingwhere, Fletcher, in the end, was quite pleased. He was a bit grumpy the first day, no thanks to the idiots at airport security who insisted on patting him down. The turbulence didn't help, either, and no one told him Florida in October was still so damn hot. He also didn't expect that many families to be there—didn't those kids have school? And what about the parents? Disney is goddamn expensive. Shouldn't they have been working?

...but the hotel was nice, the staff friendly, and then there was the matter of Dylan, whose cheer could not have been more infectious if it had all the characteristics of the plague.

And somewhere, deep deep down, the child in him was flipping the hell out over the prospect of meeting Mickey Mouse. (And he did. And it was awesome. Never mind that it was some poor asshole probably sweating to death in a costume, and fuck you very much if you ever try to burst Fletcher's bubble over this. He may punch you if you try.)

The roller coasters, he thought, weren't so impressive. They were more nauseating than anything, but Dylan seemed to enjoy them, so after a while he started making stupid faces for the ride photos. He went on the teacups, too, and the Dumbo ride, and Space Mountain, and now that he thinks about it he's pretty sure they waited in every line possible, yes, even the two-hour wait for the Tower of Terror. (And he swore Dylan to never, ever, under any circumstances, even if she is tortured for this information, to reveal the fact that he actually screamed and grabbed onto the poor elderly woman next to him when the elevator dropped.)

They wound up at Universal Studios, though he's still not sure how that one happened. They might have caught the wrong bus, or Dylan might have taken advantage of the fact that four days in, he ate way too much ice cream and it was way too hot and he slipped into a sugary delirium. He's pretty sure that explained the giant Pooh bear he woke to find staring at him from the corner of their hotel room the next morning. Anyway, Universal seemed to be much the same as Disney: crowded and overwhelming.

At one point, Dylan grabbed his wrist and took off without explaining where they were going or why she was so excited. She stopped once they reached the entrance to some place called the Wizarding World of Harry Potter, at which point Fletcher squinted and the two exchanged glances.

After wandering the fake cobblestone streets for all of ten minutes, Fletcher grabbed the nearest picture of Harry and loudly declared, "I fuckin' know that kid! Dylan! Don't we know 'im? And her, and that asshole—"

He gestured at a display of Gilderoy Lockhart's books, his gleaming smile flashing from the covers of each.

"Jesus, did we just fall through another rift?"

But it turned out that no, they didn't; they sampled butterbeer (surprisingly good, if tooth-achingly sweet), chocolate frogs (actually just chocolate), and some candy beans that Fletcher almost spit in some poor kid's face (earwax? seriously?), and eventually found their way out.

All in all, it was a good trip, and the first proper vacation Fletcher had had in over a century. They acquired way too much crap while there, though, and Fletch wondered what he was going to do with all the gaudy Hawaiian shirts he needed to buy because he packed all the wrong stuff. Dylan would certainly find a place for all the stuffed animals and other things she bought, all of which were being shipped back to them in Chicago in a very large box (aside from Pooh, who had his own seat on the flight back), and Fletch had plenty of uses for Cinderella's phone number already in mind.

"We should go back next year."

...surprisingly, it was Fletcher who made that suggestion.
amongthewreck: (you are in Trouble)
It's been a while.

Fletcher refused to let his willpower waver for Dylan's benefit—she'd dealt enough with the trauma of her Calling flaring up and taking over, and he didn't want to make matters worse by yielding to his own fleeting rage and trailing more blood into the apartment.

But the more bruises and blood she brought home, the harder it became to keep his anger in check. And when it's no longer enough to punch and kick the outside wall of their apartment building until his knuckles bleed and the bricks start to wear, he knows what he has to do.

He waits until Dylan's asleep, and even then he watches her for signs of stirring before leaving. When she seems to be wrapped tightly in the arms of delta sleep, he creeps into the hallway and out of the building. Chilly predawn air and a sliver of the bright moon greet him, and the beauty of the night almost makes him reconsider everything—but his wings are out and they hurt, and he knows it's too late to go back on his decision.

There's a 24-hour diner a few blocks away that Fletcher's been monitoring for a while, just in case. The late-late night crowd usually includes a demon or two, and tonight's crowd doesn't disappoint; there's a large man seated at a table near the center of the room who Fletcher catches eyeing those around him with piqued interest.

It isn't long before everyone's behavior starts changing. Patient zero is seated in a corner booth; he starts rocking back and forth and mumbling under the large man's gaze, and within minutes the paranoia ripples through the dining area. When the Glays turns his wild stare on Fletcher, his eyes widen and he jumps back from his table, knocking over a plate and sending the crowd into a panicked frenzy. The demon makes a beeline for the door.

Fletch lets him go. The people begin to calm down, and after a solid count to ten, he rises and leaves as well. He finds the demon surprisingly nearby, leaning against a building about a block away. He's bent over with his hands on his knees, breath coming in heavy, frightened gasps.

Then Fletch runs over, and the quiet sound of labored breathing is replaced with a muffled scream.

All the internalized anger Fletcher's been harboring for months pours out of his hands as the adrenaline and instinct take over and block out the rest of the world. Skin splits and small bones crack—fingers break one by one, sockets pop and joints dislocate. As far as the angel is concerned, the body beneath him is the physical incarnation of everything wrong with the world, and he finds himself hissing through his teeth something about manipulation and deserving. The demon screams and squirms and headbutts Fletcher, but the pain is too much and he can't work past it to get up and run.

Fletcher, dazed, pauses in his assault and stares.

And then he stands.

And starts kicking.

By the time he gets back to the apartment, there are splatters of demon blood on his clothing and face and some bloody vomit on his boots. A bruise is blossoming over his right eye and a piece of skin is missing from the side of his left hand—he hadn't noticed it when the demon bit him, and really, he doesn't care—so he immediately retreats to the bathroom and throws everything, clothes and shoes and himself, into the shower.

It'll probably wake Dylan up.

He sighs and leans his head against the tile, the water burning his shoulders. "Fuck."
amongthewreck: (now let's be adults about this.)
I used to be the lead singer for a Journey cover band called The Gate, along with my sister and two best friends.




I looked damn good in leather pants, okay? We all did.
amongthewreck: (take all the courage you have left)
Is it too late to remind you how we were?

You Could Be Happy (Pillow One Remix) | Snow Patrol

amongthewreck: (KILL ME NOW)
[PUBLIC]

Dear Chicago,

If not for my sister's angry telephone call at midnight and the accompanying song reluctantly sung by her and my very best of friends (that ended in "asshole"), I'd have forgotten or ignored the fact that today is my birthday.



I demand cake and sacrifices in my honor.

~JUST KIDDING~

No but seriously, someone better bring me some fucking cake because so far this birthday SUCKS. Who the hell wants to be 100 years old?

Yeah, I know I didn't tell any of you, so don't feel bad about not getting me presents. That's not what I'm pissed about. I don't want shit I'll never wear/read/use/need. (And don't be mad at me, Richard. Sorry in advance for not telling you and you finding this out only via the journals etc. It's just something I didn't want to think about and it is my sincere opinion that birthdays are stupid.)

I just want cake. Seriously. With heaps of buttercream icing, please. So I can continue down this slippery slope of aging and get appropriately fat and lazy and gray-haired like I'm supposed to and die with all of Scotland HATING MY FAT, ABUNDANT GUTS.

This is my birthday song. It's appropriate. Enjoy it and the schadenfreude contained within.



Get baking, people.

Love,
Fletcher
amongthewreck: (a rare moment of calm)
I'm so sorry that I can't apologize

Down | Anberlin

amongthewreck: (no friggin' clue)
To whoever the hell I accidentally KO-ed in the park the other day,

My bad.
amongthewreck: (ALBA GU BRÀTH!)
Ladies and gentlemen and things that are not necessarily human, I present to you: WHAT FLETCHER'S ACCENT REALLY SOUNDS LIKE.

You may think he sounds like Craig Ferguson. While this is true, he does not sound like the Craig you are probably familiar with. Once upon a time, Craig lived in Scotland and had a much thicker accent than he does now. So here is an excerpt from his 1988 comedy album, "Mental."

amongthewreck: (disinterested)
Fletcher is probably not in the best mindset for this right now, but he's calling Sam.

He knows it's about time, but the circumstances aren't exactly ideal. Fletch doesn't like being pushed into doing things.

As the line starts to ring, he takes a deep breath and tries to calm down.
amongthewreck: (nailbiter)
Fletcher can't sleep.

He hasn't called Sam yet. He keeps dialing her number, but he never gets to the part where he actually presses the call button.

This isn't making things any easier. He knows, deep in his heart, that he's going to fall for Richard.

He also knows that he's going to inevitably hurt Sam. The more he thinks about it, the more he wonders if it'd be worth the pain for either of them to even try what he's been considering—hasn't he already damaged her trust enough? This could drive her away completely, with no hope of any repair. The Order needs her. He can't keep letting his personal problems get in the way of everything else.

They are, though. Continually.

When he turns over and drapes an arm across Richard's chest in the darkness, his mind calms, if only just a little. Because while everything else is hanging in the balance, the fact remains that Fletcher has Richard, still, and that's something to smile about.

So, he does. It's a bit strained, but it is there.
amongthewreck: (a rare moment of calm)
Chicago is a city very keen on keeping its reputation as a shithole firmly intact.

Fletcher, stumbling along and supporting himself against the walls of nearby buildings as he goes, realizes this.

He turns his head to spit out what he thinks is probably a bit of tooth and a lot of blood. He has no idea what the fuck just attacked him—he figures it must've been a Behemoth, if his vicious counter attack is any indication—but there's one thing he's sure of: it was after him. It caught his scent and it followed him. Out of all the people he was near fifteen minutes ago, this thing chose him.

It either chose him or sought him out. Fletcher can't be sure what's what anymore.

After what feels like an hour but is really only ten minutes, he reaches the block of his apartment building. He has no idea how he's going to explain his state to Richard, or if he even wants to, but he knows he has to get inside. He's a limping target out here and if he doesn't move soon—

Mid-step, he freezes. Turns. Meets the gaze of someone a few feet away.

As soon as he sees metal glimmering under the streetlight, he dives toward the alley, but whoever has their finger on the trigger is too quick for Fletch. White-hot pain rips through his left side, spreads out in every direction and shoots up to blur his vision. He hits the ground with a dull thud and a pained groan and that's when he realizes there's a very good chance that he's about to die. If whoever has that gun decides to come closer and fire again, it's over.

There are thoughts he's sure he should be having right now, but his mind is blank. He can't think through the pain. He isn't even sure where the bullet hit him because he hurts all over. Attacked and shot. He's never had two people after him in one night. That'll look pretty badass in his obituary back home.



He has no idea how much time has passed between the shooting and now, but whoever did this clearly isn't coming back for anything. He'd be dead by now, if that was the case.

Fletcher wonders if he's been left here to bleed out.

Except the wound isn't that bad. It takes him a while to realize that the bullet did more damage to his jacket than it did to him; it hurts like hell when he sits up and he has to bite back some swearing, but he's able to work past that just long enough to glance at his side. The bullet only grazed him, thank God.



Some time around midnight, he finally makes it up to his apartment. If Richard isn't sleeping, he's about to see a beaten, bleeding and bled on, exhausted, dirty, thoroughly injured roommate.

Richard is also about to see said roommate collapse in the doorway, if he's anywhere nearby.
amongthewreck: (deep in thought)
Fletch has no idea what time it is when he dials Sam's number. It's well past midnight, of that he's sure, but he can't be bothered to reposition himself to look at the clock. Hanging upside down off of the side of the bed is oddly comfortable to someone who can't sleep.

Calling Sam is probably a bad idea. He should be calling Hannah, but his logic is this: he can deal with it when Sam is feeling any sort of negative emotion toward him. What he can't deal with is Hannah feeling that way, so it's Sam's number he dials instead.

He has the distinct feeling that this will not end well. He doesn't know what he's even going to say to her, but whatever's currently burrowing into the pit of his stomach is making it clear that he's about to do something potentially Dumb. Still, he needs to talk to someone close because he needs to get some fucking sleep.

"Oh, pick up yer feckin' phone!"
amongthewreck: (deep in thought)
[backdated to May 7th]

Room 205, Northwestern Memorial Hospital

4:26 PM

Richard, should he care to wake up any time soon, will find that he has company in the hospital bed next to his: Fletcher. He will also notice an IV drip in his arm and a cast on his foot.

At some point in the day, Fletch managed to acquire a rather large gash down the right side of his abdomen. The doctors don't know this, so the bed isn't technically Fletcher's, but he doesn't need it. He can heal. So for now, he's resting, watching news coverage on the shitty little TV attached to the wall.

He's relatively quiet for the most part, careful to let Richard sleep, but then his cellphone rings and a quiet shouting match ensues. "Don't you tell me I'm out of my fuckin' mind! It's calm back there. We have control. This place is... it's like a war zone, Hannah. I know I don't belong here, but I can't just leave it like this in good conscience. And y'know I still haven't done what I came here to do in the first place..."

And so the conversation goes.
amongthewreck: (what was that.)
[LOCKED to the people he knows—this includes Richard, Elizabeth, Harry, John, and Rachel]

ARE YOU ALL ALIVE?

Write back if yes.





Ha ha?


No but seriously, what the flying Christ did I miss?
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